Identity

The way he says identity politics—as if claiming any identity 
is something moderately pornographic, a Congressional 
tabloid where everything is dirtier than he is. Never mind 
his own proud proclamation: White male. Lover of guns 
and rare steak and good bourbon. Openly misogynistic, 
ageist, and, oh how he hates those diversity murals with black 
and brown faces ruining his view. And the philosophy behind it! 
Working out means contest, showing up young fools because 

he can lift more, lift faster (simultaneously admitting he’s too 
old to join the competition, that he learned to take and give pain 
in the military, and while he knew it wasn’t fair, convinced complicit
management to let him in). And every day on Team White Supreme 
repeats, a familiar factory: cranking out trite product faster 
than government can write a decent policy, faster than a culture 
change, faster than the proverbial speeding bullet, and ever more 
powerful than anyone left there could be. And you see, there’s no

way you can make a change when you are still in this environment, no 
way to make human impact or metamorphosis unless you confront 
the stainless man who towers over you, who keeps the gap opened
at the chest buttons so everyone can see his muscle, who declares 
friendships—no, alliances—as if these are not its own identity. And 
you wouldn’t even know it is this bad until you start to recognize 

it is the same scenario playing over and over again, that you’d seen 
this all before: the disdain for anything other than his narrow rule
of law, scoffing at status quo, conniving to buy used semiautomatics 
and reputation out of a car trunk, assembling and dissembling 
weapons, and calling it relaxation. And if you think replacing every 
face with one that looks like yours, driving a costly, virile vehicle 

over the feet of anyone standing too closely in your way is something 
admirable, something that will earn you a kind of purple heart, I think 
there really is something more wrong with you than anyone ever wants 
to see, that somehow you manage to get by because of your blue 
and gray allies and friends and not because you ever were strong. And while 
you triggered the past in me, the one that had made an exit long, long 
ago, reintroducing ghosts of every ism known to the country, I am not sad 

to be rid of you and yours, the way you wanted to make my life more than
a living, breathing hell, mocking my identity, subtly then not so much, 
pushing against my weakened bone and sinew, never realizing that I won’t
be afraid of no gun-toting ghosts no more, I ain’t afraid to call you out, 
and while there might have been a slight delay—because you know, you 
have to be sure of what’s really happening—this is my anthem of telling 
you who I really am, who you really are, who has aligned with me, saluting
my side of the story while I decide to go public, and you can just fuck off.

Katherine Mercurio Gotthardt, copyright April 6, 2024, all rights reserved 

Katherine Gotthardt

Katherine Mercurio Gotthardt, M.Ed., writing concentration, hails from the Northern Virginia/D.C. metro area. She considers herself a writer by nature and by trade, having begun writing for fun as soon as her mother helped teach her to read. An active part of the literary community, Katherine was a past-president and a founding member of Write by the Rails (WbtR), the Prince William Chapter of the Virginia Writers Club. Katherine has been a Prince William County Poet Laureate nominee and was the winner of Inside Nova’s 2019 and 2020 Best of Prince William award in the category of author. Her poetry and prose book Get Happy, Dammit: Staying Inspired and Motivated in an Often-Unhappy World received a Silver Award from the Nonfiction Authors Association. Katherine's children’s book, A Crane Named Steve, hit number one in its category on Amazon in 2019. Katherine then took first place in the free verse category of Loudoun County Library Foundation’s 2020 Rhyme On poetry contest for her piece "Discussion Topic." The Prince William Arts Council and Poet Laureate Circle awarded her the 2020 Outstanding Poetry Project Award for her leadership in Write by the Rails' Poems Around Town poetry installation. In 2021 Katherine earned second place for "Aftermath" in a Poetry Society of Virginia national contest and the regional Seefeldt Award for Arts Excellence in the category of Individual Artist. She won first place in the Virginia Writers Club statewide Golden Nib contest in the poetry category for her poem "Kayak." Katherine was recognized as a PW Perspective 2021 DMV Best Business award winner in the category of author. In April 2023, Katherine’s poem “Now Entering Manassas” was the winner of Manassas, Virginia's adult “time capsule” poetry contest. Katherine read her poem at the 150th anniversary celebration, the translated version by Jorge de Villasante was read in Spanish by Bianca Menendez, her poem was published in Neighbors of Historic Manassas magazine, and it was included in the city’s time capsule. While Katherine is well-known for her poetry, she also has established a solid reputation for writing articles, columns and short fiction. She is published in dozens of journals and anthologies and has authored 12 books: Poems from the Battlefield, Furbily-Furld Takes on the World, Approaching Felonias Park, Weaker Than Water, Bury Me Under a Lilac, Late April, A Crane Named Steve, Get Happy, Dammit, D.C. Ekphrastic: Crisis of Faith, Thirty Years of Cardinals Calling, Get Happier, Dammit and We All Might Be Witches. She uses proceeds from her books to support giving back initiatives.
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