*Lincoln from the Grave

Oh to be unconditionally loved when dead,
division dissolved by the peaceful inevitable.
 
Oh to the victory that made us one,
the blood of battle and repair 
no longer questioned as worthwhile, 
immune to “what if?” in its sad reality,
replaced by “what is” and “what was.” 
 
How, now, am I taught as hero, 
recalled as Honest Abe, Father Abraham, 
when then, about half a nation hated me? 
I, immortalized in paper and stone,
I, honored as a lesson that even 
a simple man can become President—
that is how I now know love.  
 
What blew this charge into storm,
made me more than I ever could have been?
What stone face could warrant the illusion 
that I was anything but terrified?
Was it my own grand words 
or an accident of revisionism
that made me out as martyr?

Does no one suspect I bit my nails and swallowed,
dashed a sallow candle to the floor, kicked the wall,
told Mary she was unruly as my most ill behaved horse,
ordered the oldest stable boy fired, three times placed 
a pistol on my desk yet failed to pull the trigger?

I was neither star nor saint, nor did I ever intend 
to offer myself as an unblemished lamb, never considered
myself more than ugly me, a twisted twig on a fig sapling
pulled at the roots by torrential war.

Yet, “hero” is how I am mostly remembered, 
 so great is the need for idols.  

So be it.  
 
So be it my icon is revered by millions, 
that the awed infer from me 
that war within a nation bleeds 
a country down to ignorance,
that agape is the only way we 
will survive one another, 
that injustice can only bring  
us together in a grave.  

But for me, the marble marks 
my most private moments—
the time I laughed at a servant’s joke,
that cloudy day when I told Mary I loved her,
the second I understood I owned possibly 
the most comfortable pillow in the Union
yet couldn’t sleep, that Sunday I locked 
myself in the pantry and cried for our country—
no one knows about those.

They only know what they are told,
enough to suspect I was human,
but plenty to believe in monuments.  

-Katherine Mercurio Gotthardt, copyright 2011, all rights reserved 

_____________________________________

*I can't exactly recall what this poem was for. I believe I wrote it and read it for an arts event in DC. The note in my archives says "For WMPA 360º October 16 and 30, 2011, Copland’s Lincoln Portrait."  The poem might even be in one of my books, but I've lost track of everything I have written. (Pic is from here.) My point was to humanize Lincoln and shed light on the Civil War. 

I return to this piece now that we are approaching yet another divisive election, where one man (whose name I will not put on this page because I do not wish to attract that type of algorithm) will certainly make our nation bleed into ignorance again if he is re-elected. I can only hope that people will not vote for hatred, will not vote for injustice, will not for racism and the illusion of a common man running for President. He is definitely not a common man. He's a wealthy, dangerous maniac that has turned the Republican party - which used to have a modicum of wisdom - completely mad. I have lived through his decades of greed and megalomania, witnessed it even as a child. He is no Lincoln. He is no leader. And too many people are fooled. 

Side note, in case you are wondering. I do not believe in political parties. I believe candidates should run on their policies and platforms. Parties have not served us well, yet here we are. Again. 

Katherine Gotthardt

Katherine Mercurio Gotthardt, M.Ed., writing concentration, hails from Virginia. She considers herself a writer by nature and by trade, having begun writing for fun as soon as her mother helped teach her to read. An active part of the literary community, Katherine was a past-president and a founding member of Write by the Rails (WbtR), the Prince William Chapter of the Virginia Writers Club. Katherine has been a Prince William County Poet Laureate nominee and was the winner of Inside Nova’s 2019 and 2020 Best of Prince William award in the category of author. Her poetry and prose book Get Happy, Dammit: Staying Inspired and Motivated in an Often-Unhappy World received a Silver Award from the Nonfiction Authors Association. Katherine's children’s book, A Crane Named Steve, hit number one in its category on Amazon in 2019. Katherine then took first place in the free verse category of Loudoun County Library Foundation’s 2020 Rhyme On poetry contest for her piece "Discussion Topic." The Prince William Arts Council and Poet Laureate Circle awarded her the 2020 Outstanding Poetry Project Award for her leadership in Write by the Rails' Poems Around Town poetry installation. In 2021 Katherine earned second place for "Aftermath" in a Poetry Society of Virginia national contest and the regional Seefeldt Award for Arts Excellence in the category of Individual Artist. She won first place in the Virginia Writers Club statewide Golden Nib contest in the poetry category for her poem "Kayak." Katherine was recognized as a PW Perspective 2021 DMV Best Business award winner in the category of author. In April 2023, Katherine’s poem “Now Entering Manassas” was the winner of Manassas, Virginia's adult “time capsule” poetry contest. Katherine read her poem at the 150th anniversary celebration, the translated version by Jorge de Villasante was read in Spanish by Bianca Menendez, her poem was published in Neighbors of Historic Manassas magazine, and it was included in the city’s time capsule. While Katherine is well-known for her poetry, she also has established a solid reputation for writing articles, columns and short fiction. She is published in dozens of journals and anthologies and has authored 12 books: Poems from the Battlefield, Furbily-Furld Takes on the World, Approaching Felonias Park, Weaker Than Water, Bury Me Under a Lilac, Late April, A Crane Named Steve, Get Happy, Dammit, D.C. Ekphrastic: Crisis of Faith, Thirty Years of Cardinals Calling, Get Happier, Dammit and We All Might Be Witches. She uses proceeds from her books to support giving back initiatives.
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