Clippings (a draft)

We hadn’t known she could scream. 
Shred threads of a nylon muzzle,
simply out of fear. Two techs holding her
down, holding her, rigid, to their chest,
against her will, against instinct—
just to clip her nails. And it might be

funny if you didn’t knew her,
thought her a drama queen, spoiled
by a couple of mushy hearted rescuers,
but having to watch, agency and choice
snatched from her faster than she would
have taken cheese were it from trusted hands,
70 pounds of vigilant muscle, ridge-backed
fur, any other day eager to deploy teeth and
claw and ferocity against another animal—
we could not hold it together. And I think

of our daughter, three years old and pale faced,
trembling on the back of a surgical table, how
when the hose, the mask, came close,
she would not let them put it on, and
they told us to restrain her. How still she laid after,
like we'd killed her, confused when she woke
in a oversized crib because, mommy,
wasn't she too old for bars? And our other child

14, having just been released from the hospital
after threatening to cut her wrists, panicking
over tourniquet and needle, asking me
to hold her arm down, begging me not to, solely
so blood could be drawn. Solely to keep her alive.
And if you’ve ever been there, tearing

a loved one away from their sense of safety,
you know the way betrayal sounds, rips though
skull and bone, soft tissue, the ability to feel
honest again, and though they all had come
to you after—old dog, baby, and teen—
laying their exhaustion against you while you
stroked their hair until they slept, other hand
on their sternum, feeling its rise and fall,
whispering it hadn’t hurt, you felt that night

closing over your face, your years, mummifying
how you had wrapped them within themselves,
commanded they ignore what they'd learned
of survival, claiming you weren’t culpable,
you didn’t have a choice, and wasn’t it
for their own good? It was, wasn’t it? Wasn’t it?

Katherine Mercurio Gotthardt, copyright September 28, 2024, all rights reserved

Katherine Gotthardt

Katherine Mercurio Gotthardt, M.Ed., writing concentration, hails from Virginia. She considers herself a writer by nature and by trade, having begun writing for fun as soon as her mother helped teach her to read. An active part of the literary community, Katherine was a past-president and a founding member of Write by the Rails (WbtR), the Prince William Chapter of the Virginia Writers Club. Katherine has been a Prince William County Poet Laureate nominee and was the winner of Inside Nova’s 2019 and 2020 Best of Prince William award in the category of author. Her poetry and prose book Get Happy, Dammit: Staying Inspired and Motivated in an Often-Unhappy World received a Silver Award from the Nonfiction Authors Association. Katherine's children’s book, A Crane Named Steve, hit number one in its category on Amazon in 2019. Katherine then took first place in the free verse category of Loudoun County Library Foundation’s 2020 Rhyme On poetry contest for her piece "Discussion Topic." The Prince William Arts Council and Poet Laureate Circle awarded her the 2020 Outstanding Poetry Project Award for her leadership in Write by the Rails' Poems Around Town poetry installation. In 2021 Katherine earned second place for "Aftermath" in a Poetry Society of Virginia national contest and the regional Seefeldt Award for Arts Excellence in the category of Individual Artist. She won first place in the Virginia Writers Club statewide Golden Nib contest in the poetry category for her poem "Kayak." Katherine was recognized as a PW Perspective 2021 DMV Best Business award winner in the category of author. In April 2023, Katherine’s poem “Now Entering Manassas” was the winner of Manassas, Virginia's adult “time capsule” poetry contest. Katherine read her poem at the 150th anniversary celebration, the translated version by Jorge de Villasante was read in Spanish by Bianca Menendez, her poem was published in Neighbors of Historic Manassas magazine, and it was included in the city’s time capsule. While Katherine is well-known for her poetry, she also has established a solid reputation for writing articles, columns and short fiction. She is published in dozens of journals and anthologies and has authored 12 books: Poems from the Battlefield, Furbily-Furld Takes on the World, Approaching Felonias Park, Weaker Than Water, Bury Me Under a Lilac, Late April, A Crane Named Steve, Get Happy, Dammit, D.C. Ekphrastic: Crisis of Faith, Thirty Years of Cardinals Calling, Get Happier, Dammit and We All Might Be Witches. She uses proceeds from her books to support giving back initiatives.
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